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More information on 99 bottles of beer can be found at
F<http://www.99-bottles-of-beer.net/> and
F<http://archive.develooper.com/fwp@perl.org/msg03193.html>.
Similar sites exist for I<hello world> programs
F<http://www2.latech.edu/~acm/HelloWorld.shtml>,
and I<quines>
F<http://www.nyx.net/~gthompso/quine.htm>.

To learn more about HQ9+ programming visit
F<http://www.cliff.biffle.org/esoterica/hq9plus.html> and
F<http://search.cpan.org/dist/HQ9PLUS/>.

Perl Monks Obfuscation section.
In particular, ideas for EyeDrops shapes were got from:
F<http://www.perlmonks.org/index.pl?node_id=45213>
(Erudil's camel code),
F<http://www.perlmonks.org/index.pl?node_id=285157>
(Spaghetti Obfu),
F<http://www.perlmonks.org/index.pl?node_id=289733>
(Just another Bach Hacker),
F<http://www.perlmonks.org/index.pl?node_id=329174>
(hello world),
F<http://www.perlmonks.org/index.pl?node_id=188405>
(Sierpinski Triangle),
F<http://www.perlmonks.org/index.pl?node_id=398757>
(Halloween JAPH ?),
F<http://www.perlmonks.org/index.pl?node_id=384100>
(Propose.),
F<http://www.perlmonks.org/index.pl?node_id=397958>
(Saturn).

Changes to Perl 5.18 regex behavior are discussed at
F<http://perlmonks.org/?node_id=1030569>.

The Y::E 2002 I<Dark Art of Obfuscation> talk by Thomas Klausner
at F<http://domm.zsi.at/talks/obfu_yapc2002/>.

Les Perl Mongueurs de Paris $A++ page at
F<http://paris.mongueurs.net/aplusplus.html>.

Yanni Ellen Liu's excellent Ascii Art collection formerly at
F<http://www.cs.umanitoba.ca/~yliu/>.

More information on I<Baghdad Bob> can be found at
F<http://www.welovetheiraqiinformationminister.com/>.

More information on koaladiles (and their relationship to kwalitee)
can be found at
F<http://nntp.perl.org/group/perl.qa/3340>.

The cam.pm Obfuscated Programming Contests at
F<http://cam.pm.org/projects_home.shtml>.

I<Perl Golf> was played monthly at
F<http://perlgolf.sourceforge.net/> and is now played mostly at
F<http://codegolf.com/>. Ton Hospel's excellent generic
golf tester can be got from
F<http://www.xs4all.nl/~thospel/golf/gentest.pl>.

The C<--$|> idiom (exploited in the I<A Somersaulting Camel>
section) is "explained" in this thread:
F<http://archive.develooper.com/fwp@perl.org/msg01360.html>.

L<Acme::Bleach>
L<Acme::Smirch>
L<Acme::Buffy>
L<Acme::Pony>
L<Acme::ChuckNorris>
L<Acme::AsciiArt2HtmlTable>
L<Acme::AsciiArtinator>

=head1 CREDITS

I blame Japhy and Ronald J Kimball and others on the fwp
mailing list for exposing the ''=~ trick, Jas Nagra for
explaining his C<Acme::Smirch> module, and Rajah Ankur
and Supremely Unorthodox Eric for provoking me.

I would also like to thank Ian Phillipps, Philip Newton,
Ryan King, Michael G Schwern, Robert G Werner, Simon Cozens,
and others on the fwp mailing list for their advice on
ASCII Art, imaging programs, and on which picture of
Larry to use.

Thanks also to Mtv Europe, Ronald J Kimball and Eugene
van der Pijll for their help in golfing the program in
the I<Twelve Thousand and Thirty Two Camels> section.
Keith Calvert Ivey also contributed some levity to this section.

The "Love Birds" section was provoked by Muss, Jiun and Taffy.
The thumbsup shape was derived from one originally designed by Jiun.

Ideas from Adam Antonik, Mtv Europe, Eugene van der Pijll, Ton Hospel
and Keith Calvert Ivey were used in the I<Sierpinski Triangles> section.

Thanks cog for the prod to add new Shape Properties feature.

The jon shape was derived from
F<http://www.spidereyeballs.com/os5/set1/small_os5_r06_9705.html>.
Kudos to Elaine -HFB- Ashton for showing me this.

The merlyn shape was derived from this photo
F<http://www.stonehenge.com/merlyn/my_real_proof.jpg>
of Randal singing a duet with Samantha Fox.

The simon shape was derived from a pencil sketch by the Japanese
artist Eiko Yamashita.

The candle, china1, panda and santa2 shapes were derived from similar
ones at Yanni Ellen Liu's Ascii Art collection.

=head1 COPYRIGHT

Copyright (c) 2001-2015 Andrew Savige. All rights reserved.

This program is free software; you can redistribute it and/or
modify it under the same terms as Perl itself.

This program is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.