Lingua-Stem
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the house. It was even with difficulty that I could prevent him from
following me through the streets.
Our friendship lasted, in this manner, for several years, during
which my general temperament and character - through the
instrumentality of the Fiend Intemperance - had (I blush to confess
it) experienced a radical alteration for the worse. I grew, day by
day, more moody, more irritable, more regardless of the feelings of
others. I suffered myself to use intemperate language to my wife. At
length, I even offered her personal violence. My pets, of course,
were made to feel the change in my disposition. I not only neglected,
but ill-used them. For Pluto, however, I still retained sufficient
regard to restrain me from maltreating him, as I made no scruple of
maltreating the rabbits, the monkey, or even the dog, when by
accident, or through affection, they came in my way. But my disease
grew upon me - for what disease is like Alcohol! - and at length even
Pluto, who was now becoming old, and consequently somewhat peevish -
even Pluto began to experience the effects of my ill temper.
One night, returning home, much intoxicated, from one of my
haunts about town, I fancied that the cat avoided my presence. I
seized him; when, in his fright at my violence, he inflicted a slight
wound upon my hand with his teeth. The fury of a demon instantly
possessed me. I knew myself no longer. My original soul seemed, at
once, to take its flight from my body and a more than fiendish
malevolence, gin-nurtured, thrilled every fibre of my frame. I took
from my waistcoat-pocket a pen-knife, opened it, grasped the poor
beast by the throat, and deliberately cut one of its eyes from the
socket! I blush, I burn, I shudder, while I pen the damnable
atrocity.
When reason returned with the morning - when I had slept off the
fumes of the night's debauch - I experienced a sentiment half of
horror, half of remorse, for the crime of which I had been guilty;
but it was, at best, a feeble and equivocal feeling, and the soul
remained untouched. I again plunged into excess, and soon drowned in
wine all memory of the deed.
In the meantime the cat slowly recovered. The socket of the lost
eye presented, it is true, a frightful appearance, but he no longer
appeared to suffer any pain. He went about the house as usual, but,
as might be expected, fled in extreme terror at my approach. I had so
much of my old heart left, as to be at first grieved by this evident
dislike on the part of a creature which had once so loved me. But
this feeling soon gave place to irritation. And then came, as if to
my final and irrevocable overthrow, the spirit of PERVERSENESS. Of
this spirit philosophy takes no account. Yet I am not more sure that
my soul lives, than I am that perverseness is one of the primitive
impulses of the human heart - one of the indivisible primary
faculties, or sentiments, which give direction to the character of
Man. Who has not, a hundred times, found himself committing a vile or
a silly action, for no other reason than because he knows he should
not? Have we not a perpetual inclination, in the teeth of our best
judgment, to violate that which is _Law_, merely because we
understand it to be such? This spirit of perverseness, I say, came to
my final overthrow. It was this unfathomable longing of the soul _to
vex itself_ - to offer violence to its own nature - to do wrong for
the wrong's sake only - that urged me to continue and finally to
consummate the injury I had inflicted upon the unoffending brute. One
morning, in cool blood, I slipped a noose about its neck and hung it
to the limb of a tree; - hung it with the tears streaming from my
eyes, and with the bitterest remorse at my heart; - hung it _because_
I knew that it had loved me, and _because_ I felt it had given me no
reason of offence; - hung it _because_ I knew that in so doing I was
committing a sin - a deadly sin that would so jeopardize my immortal
soul as to place it - if such a thing wore possible - even beyond the
reach of the infinite mercy of the Most Merciful and Most Terrible
God.
On the night of the day on which this cruel deed was done, I was
aroused from sleep by the cry of fire. The curtains of my bed were in
flames. The whole house was blazing. It was with great difficulty
that my wife, a servant, and myself, made our escape from the
conflagration. The destruction was complete. My entire worldly wealth
was swallowed up, and I resigned myself thenceforward to despair.
I am above the weakness of seeking to establish a sequence of
cause and effect, between the disaster and the atrocity. But I am
detailing a chain of facts - and wish not to leave even a possible
link imperfect. On the day succeeding the fire, I visited the ruins.
The walls, with one exception, had fallen in. This exception was
found in a compartment wall, not very thick, which stood about the
middle of the house, and against which had rested the head of my bed.
The plastering had here, in great measure, resisted the action of the
fire - a fact which I attributed to its having been recently spread.
About this wall a dense crowd were collected, and many persons seemed
to be examining a particular portion of it with very minute and eager
attention. The words "strange!" "singular!" and other similar
expressions, excited my curiosity. I approached and saw, as if graven
in _bas relief_ upon the white surface, the figure of a gigantic
_cat_. The impression was given with an accuracy truly marvellous.
There was a rope about the animal's neck.
When I first beheld this apparition - for I could scarcely regard
it as less - my wonder and my terror were extreme. But at length
reflection came to my aid. The cat, I remembered, had been hung in a
garden adjacent to the house. Upon the alarm of fire, this garden had
been immediately filled by the crowd - by some one of whom the animal
must have been cut from the tree and thrown, through an open window,
into my chamber. This had probably been done with the view of
arousing me from sleep. The falling of other walls had compressed the
victim of my cruelty into the substance of the freshly-spread
plaster; the lime of which, with the flames, and the _ammonia_ from
the carcass, had then accomplished the portraiture as I saw it.
Although I thus readily accounted to my reason, if not altogether
to my conscience, for the startling fact just detailed, it did not
the less fail to make a deep impression upon my fancy. For months I
could not rid myself of the phantasm of the cat; and, during this
period, there came back into my spirit a half-sentiment that seemed,
but was not, remorse. I went so far as to regret the loss of the
animal, and to look about me, among the vile haunts which I now
habitually frequented, for another pet of the same species, and of
somewhat similar appearance, with which to supply its place.
One night as I sat, half stupified, in a den of more than infamy,
my attention was suddenly drawn to some black object, reposing upon
the head of one of the immense hogsheads of Gin, or of Rum, which
constituted the chief furniture of the apartment. I had been looking
steadily at the top of this hogshead for some minutes, and what now
caused me surprise was the fact that I had not sooner perceived the
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admirers. Shameful debaucheries - flagrant treacheries - unheard-of
atrocities - gave his trembling vassals quickly to understand that no
servile submission on their part - no punctilios of conscience on his
own - were thenceforward to prove any security against the
remorseless fangs of a petty Caligula. On the night of the fourth
day, the stables of the castle Berlifitzing were discovered to be on
fire; and the unanimous opinion of the neighborhood added the crime
of the incendiary to the already hideous list of the Baron's
misdemeanors and enormities.
But during the tumult occasioned by this occurrence, the young
nobleman himself sat apparently buried in meditation, in a vast and
desolate upper apartment of the family palace of Metzengerstein. The
rich although faded tapestry hangings which swung gloomily upon the
walls, represented the shadowy and majestic forms of a thousand
illustrious ancestors. _Here_, rich-ermined priests, and pontifical
dignitaries, familiarly seated with the autocrat and the sovereign,
put a veto on the wishes of a temporal king, or restrained with the
fiat of papal supremacy the rebellious sceptre of the Arch-enemy.
_There_, the dark, tall statures of the Princes Metzengerstein -
their muscular war-coursers plunging over the carcasses of fallen
foes - startled the steadiest nerves with their vigorous expression;
and _here_, again, the voluptuous and swan-like figures of the dames
of days gone by, floated away in the mazes of an unreal dance to the
strains of imaginary melody.
But as the Baron listened, or affected to listen, to the
gradually increasing uproar in the stables of Berlifitzing - or
perhaps pondered upon some more novel, some more decided act of
audacity - his eyes became unwittingly rivetted to the figure of an
enormous, and unnaturally colored horse, represented in the tapestry
as belonging to a Saracen ancestor of the family of his rival. The
horse itself, in the foreground of the design, stood motionless and
statue-like - while farther back, its discomfited rider perished by
the dagger of a Metzengerstein.
On Frederick's lip arose a fiendish expression, as he became
aware of the direction which his glance had, without his
consciousness, assumed. Yet he did not remove it. On the contrary, he
could by no means account for the overwhelming anxiety which appeared
falling like a pall upon his senses. It was with difficulty that he
reconciled his dreamy and incoherent feelings with the certainty of
being awake. The longer he gazed the more absorbing became the spell
- the more impossible did it appear that he could ever withdraw his
glance from the fascination of that tapestry. But the tumult without
becoming suddenly more violent, with a compulsory exertion he
diverted his attention to the glare of ruddy light thrown full by the
flaming stables upon the windows of the apartment.
The action, however, was but momentary, his gaze returned
mechanically to the wall. To his extreme horror and astonishment, the
head of the gigantic steed had, in the meantime, altered its
position. The neck of the animal, before arched, as if in compassion,
over the prostrate body of its lord, was now extended, at full
length, in the direction of the Baron. The eyes, before invisible,
now wore an energetic and human expression, while they gleamed with a
fiery and unusual red; and the distended lips of the apparently
enraged horse left in full view his gigantic and disgusting teeth.
Stupified with terror, the young nobleman tottered to the door.
As he threw it open, a flash of red light, streaming far into the
chamber, flung his shadow with a clear outline against the quivering
tapestry, and he shuddered to perceive that shadow - as he staggered
awhile upon the threshold - assuming the exact position, and
precisely filling up the contour, of the relentless and triumphant
murderer of the Saracen Berlifitzing.
To lighten the depression of his spirits, the Baron hurried into
the open air. At the principal gate of the palace he encountered
three equerries. With much difficulty, and at the imminent peril of
their lives, they were restraining the convulsive plunges of a
gigantic and fiery-colored horse.
"Whose horse? Where did you get him?" demanded the youth, in a
querulous and husky tone of voice, as he became instantly aware that
the mysterious steed in the tapestried chamber was the very
counterpart of the furious animal before his eyes.
"He is your own property, sire," replied one of the equerries,
"at least he is claimed by no other owner. We caught him flying, all
smoking and foaming with rage, from the burning stables of the Castle
Berlifitzing. Supposing him to have belonged to the old Count's stud
of foreign horses, we led him back as an estray. But the grooms there
disclaim any title to the creature; which is strange, since he bears
evident marks of having made a narrow escape from the flames.
"The letters W. V. B. are also branded very distinctly on his
forehead," interrupted a second equerry, "I supposed them, of course,
to be the initials of Wilhelm Von Berlifitzing - but all at the
castle are positive in denying any knowledge of the horse."
"Extremely singular!" said the young Baron, with a musing air,
and apparently unconscious of the meaning of his words. "He is, as
you say, a remarkable horse - a prodigious horse! although, as you
very justly observe, of a suspicious and untractable character, let
him be mine, however," he added, after a pause, "perhaps a rider like
Frederick of Metzengerstein, may tame even the devil from the stables
of Berlifitzing."
"You are mistaken, my lord; the horse, as I think we mentioned,
is _not_ from the stables of the Count. If such had been the case, we
know our duty better than to bring him into the presence of a noble
of your family."
"True!" observed the Baron, dryly, and at that instant a page of
the bedchamber came from the palace with a heightened color, and a
precipitate step. He whispered into his master's ear an account of
the sudden disappearance of a small portion of the tapestry, in an
apartment which he designated; entering, at the same time, into
particulars of a minute and circumstantial character; but from the
low tone of voice in which these latter were communicated, nothing
escaped to gratify the excited curiosity of the equerries.
The young Frederick, during the conference, seemed agitated by a
variety of emotions. He soon, however, recovered his composure, and
an expression of determined malignancy settled upon his countenance,
as he gave peremptory orders that a certain chamber should be
immediately locked up, and the key placed in his own possession.
"Have you heard of the unhappy death of the old hunter
Berlifitzing?" said one of his vassals to the Baron, as, after the
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and high-spirited horse are not to be supposed capable of exciting
unreasonable attention - especially among men who, daily trained to
the labors of the chase, might appear well acquainted with the
sagacity of a horse - but there were certain circumstances which
intruded themselves per force upon the most skeptical and phlegmatic;
and it is said there were times when the animal caused the gaping
crowd who stood around to recoil in horror from the deep and
impressive meaning of his terrible stamp - times when the young
Metzengerstein turned pale and shrunk away from the rapid and
searching expression of his earnest and human-looking eye.
Among all the retinue of the Baron, however, none were found to
doubt the ardor of that extraordinary affection which existed on the
part of the young nobleman for the fiery qualities of his horse; at
least, none but an insignificant and misshapen little page, whose
deformities were in everybody's way, and whose opinions were of the
least possible importance. He - if his ideas are worth mentioning at
all - had the effrontery to assert that his master never vaulted into
the saddle without an unaccountable and almost imperceptible shudder,
and that, upon his return from every long-continued and habitual
ride, an expression of triumphant malignity distorted every muscle in
his countenance.
One tempestuous night, Metzengerstein, awaking from a heavy
slumber, descended like a maniac from his chamber, and, mounting in
hot haste, bounded away into the mazes of the forest. An occurrence
so common attracted no particular attention, but his return was
looked for with intense anxiety on the part of his domestics, when,
after some hours' absence, the stupendous and magnificent battlements
of the Chateau Metzengerstein, were discovered crackling and rocking
to their very foundation, under the influence of a dense and livid
mass of ungovernable fire.
As the flames, when first seen, had already made so terrible a
progress that all efforts to save any portion of the building were
evidently futile, the astonished neighborhood stood idly around in
silent and pathetic wonder. But a new and fearful object soon
rivetted the attention of the multitude, and proved how much more
intense is the excitement wrought in the feelings of a crowd by the
contemplation of human agony, than that brought about by the most
appalling spectacles of inanimate matter.
Up the long avenue of aged oaks which led from the forest to the
main entrance of the Chateau Metzengerstein, a steed, bearing an
unbonneted and disordered rider, was seen leaping with an impetuosity
which outstripped the very Demon of the Tempest.
The career of the horseman was indisputably, on his own part,
uncontrollable. The agony of his countenance, the convulsive struggle
of his frame, gave evidence of superhuman exertion: but no sound,
save a solitary shriek, escaped from his lacerated lips, which were
bitten through and through in the intensity of terror. One instant,
and the clattering of hoofs resounded sharply and shrilly above the
roaring of the flames and the shrieking of the winds - another, and,
clearing at a single plunge the gate-way and the moat, the steed
bounded far up the tottering staircases of the palace, and, with its
rider, disappeared amid the whirlwind of chaotic fire.
The fury of the tempest immediately died away, and a dead calm
sullenly succeeded. A white flame still enveloped the building like a
shroud, and, streaming far away into the quiet atmosphere, shot forth
a glare of preternatural light; while a cloud of smoke settled
heavily over the battlements in the distinct colossal figure of - _a
horse_.
~~~ End of Text ~~~
======
THE SYSTEM OF DOCTOR TARR AND PROFESSOR FETHER
DURING the autumn of 18--, while on a tour through the extreme
southern provinces of France, my route led me within a few miles of a
certain Maison de Sante or private mad-house, about which I had heard
much in Paris from my medical friends. As I had never visited a place
of the kind, I thought the opportunity too good to be lost; and so
proposed to my travelling companion (a gentleman with whom I had made
casual acquaintance a few days before) that we should turn aside, for
an hour or so, and look through the establishment. To this he
objected -- pleading haste in the first place, and, in the second, a
very usual horror at the sight of a lunatic. He begged me, however,
not to let any mere courtesy towards himself interfere with the
gratification of my curiosity, and said that he would ride on
leisurely, so that I might overtake him during the day, or, at all
events, during the next. As he bade me good-bye, I bethought me that
there might be some difficulty in obtaining access to the premises,
and mentioned my fears on this point. He replied that, in fact,
unless I had personal knowledge of the superintendent, Monsieur
Maillard, or some credential in the way of a letter, a difficulty
might be found to exist, as the regulations of these private
mad-houses were more rigid than the public hospital laws. For
himself, he added, he had, some years since, made the acquaintance of
Maillard, and would so far assist me as to ride up to the door and
introduce me; although his feelings on the subject of lunacy would
not permit of his entering the house.
I thanked him, and, turning from the main road, we entered a
grass-grown by-path, which, in half an hour, nearly lost itself in a
dense forest, clothing the base of a mountain. Through this dank and
gloomy wood we rode some two miles, when the Maison de Sante came in
view. It was a fantastic chateau, much dilapidated, and indeed
scarcely tenantable through age and neglect. Its aspect inspired me
with absolute dread, and, checking my horse, I half resolved to turn
back. I soon, however, grew ashamed of my weakness, and proceeded.
As we rode up to the gate-way, I perceived it slightly open, and the
visage of a man peering through. In an instant afterward, this man
came forth, accosted my companion by name, shook him cordially by the
hand, and begged him to alight. It was Monsieur Maillard himself. He
was a portly, fine-looking gentleman of the old school, with a
polished manner, and a certain air of gravity, dignity, and authority
which was very impressive.
My friend, having presented me, mentioned my desire to inspect the
establishment, and received Monsieur Maillard's assurance that he
would show me all attention, now took leave, and I saw him no more.
When he had gone, the superintendent ushered me into a small and
exceedingly neat parlor, containing, among other indications of
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OINOS. And why, Agathos, should they have proceeded?
AGATHOS. Because there were some considerations of deep interest
beyond. It was deducible from what they knew, that to a being of
infinite understanding -- one to whom the perfection of the algebraic
analysis lay unfolded -- there could be no difficulty in tracing
every impulse given the air -- and the ether through the air -- to
the remotest consequences at any even infinitely remote epoch of
time. It is indeed demonstrable that every such impulse given the
air, must, in the end, impress every individual thing that exists
within the universe; -- and the being of infinite understanding --
the being whom we have imagined -- might trace the remote undulations
of the impulse -- trace them upward and onward in their influences
upon all particles of an matter -- upward and onward for ever in
their modifications of old forms -- or, in other words, in their
creation of new -- until he found them reflected -- unimpressive at
last -- back from the throne of the Godhead. And not only could such
a thing do this, but at any epoch, should a given result be afforded
him -- should one of these numberless comets, for example, be
presented to his inspection -- he could have no difficulty in
determining, by the analytic retrogradation, to what original impulse
it was due. This power of retrogradation in its absolute fulness and
perfection -- this faculty of referring at all epochs, all effects to
all causes -- is of course the prerogative of the Deity alone -- but
in every variety of degree, short of the absolute perfection, is the
power itself exercised by the whole host of the Angelic
intelligences.
OINOS. But you speak merely of impulses upon the air.
AGATHOS. In speaking of the air, I referred only to the earth; but
the general proposition has reference to impulses upon the ether --
which, since it pervades, and alone pervades all space, is thus the
great medium of creation.
OINOS. Then all motion, of whatever nature, creates?
AGATHOS. It must: but a true philosophy has long taught that the
source of all motion is thought -- and the source of all thought is-
OINOS. God.
AGATHOS. I have spoken to you, Oinos, as to a child of the fair Earth
which lately perished -- of impulses upon the atmosphere of the
Earth.
OINOS. You did.
AGATHOS. And while I thus spoke, did there not cross your mind some
thought of the physical power of words? Is not every word an impulse
on the air?
OINOS. But why, Agathos, do you weep -- and why, oh why do your wings
droop as we hover above this fair star -- which is the greenest and
yet most terrible of all we have encountered in our flight? Its
brilliant flowers look like a fairy dream -- but its fierce volcanoes
like the passions of a turbulent heart.
AGATHOS. They are! -- they are! This wild star -- it is now three
centuries since, with clasped hands, and with streaming eyes, at the
feet of my beloved -- I spoke it -- with a few passionate sentences
-- into birth. Its brilliant flowers are the dearest of all
unfulfilled dreams, and its raging volcanoes are the passions of the
most turbulent and unhallowed of hearts.
~~~ End of Text ~~~
======
THE COLLOQUY OF MONOS AND UNA
9,88@<J" J"LJ"
_ Sophocles - Antig _:
"These; things are in the future."
_ Una._ "Born again?"
_ Monos._ Yes, fairest and best beloved Una, "born again." These
were the words upon whose mystical meaning I had so long pondered,
rejecting the explanations of the priesthood, until Death himself
resolved for me the secret.
_Una._ Death!
_Monos._ How strangely, sweet Una, you echo my words! I observe,
too, a vacillation in your step - a joyous inquietude in your eyes.
You are confused and oppressed by the majestic novelty of the Life
Eternal. Yes, it was of Death I spoke. And here how singularly sounds
that word which of old was wont to bring terror to all hearts -
throwing a mildew upon all pleasures!
_ Una._ Ah, Death, the spectre which sate at all feasts! How
often, Monos, did we lose ourselves in speculations upon its nature!
How mysteriously did it act as a check to human bliss - saying unto
it "thus far, and no farther!" That earnest mutual love, my own
Monos, which burned within our bosoms how vainly did we flatter
ourselves, feeling happy in its first up-springing, that our
happiness would strengthen with its strength! Alas! as it grew, so
grew in our hearts the dread of that evil hour which was hurrying to
separate us forever! Thus, in time, it became painful to love. Hate
would have been mercy then.
_ Monos._ Speak not here of these griefs, dear Una - mine, mine,
forever now!
_ Una._ But the memory of past sorrow - is it not present joy? I
have much to say yet of the things which have been. Above all, I burn
to know the incidents of your own passage through the dark Valley and
Shadow.
_ Monos._ And when did the radiant Una ask anything of her Monos
in vain? I will be minute in relating all - but at what point shall
the weird narrative begin?
_Una._ At what point?
_Monos._ You have said.
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That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered -- not a feather then he fluttered --
Till I scarcely more than muttered "Other friends have flown before --
On the morrow _he_ will leave me, as my hopes have flown before."
Then the bird said "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore --
Till the dirges of his Hope that melancholy burden bore
Of "Never -- nevermore."
But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore --
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplght gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
_She_ shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Angels whose faint foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee -- by these angels he hath sent
thee
Respite -- respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the raven, "Nevermore."
"Prophet!" said I, "thing of evil! -- prophet still, if bird or devil! --
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted --
On this home by Horror haunted -- tell me truly, I implore --
Is there -- _is_ there balm in Gilead? -- tell me -- tell me, I implore!"
Quoth the raven, "Nevermore."
"Prophet!" said I, "thing of evil -- prophet still, if bird or devil!
By that Heaven that bends above us -- by that God we both adore --
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore --
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the raven, "Nevermore."
"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting
--
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! -- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the raven, "Nevermore."
And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted -- nevermore!
~~~ End of Text ~~~
Published 1845.
======
THE BELLS.
I.
HEAR the sledges with the bells -
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells -
From the jingling and the tinkling of the bells.
II.
Hear the mellow wedding-bells
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight! -
From the molten-golden notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! - how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells -
Of the bells, bells, bells, bells,
Bells, bells, bells -
To the rhyming and the chiming of the bells!
III.
Hear the loud alarum bells -
Brazen bells!
What tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
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