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examples/collected_works_poe.txt  view on Meta::CPAN

the room at the junction of the ceiling and walls. The drapery is thrown
open also, or closed, by means of a thick rope of gold loosely enveloping
it, and resolving itself readily into a knot; no pins or other such
devices are apparent. The colours of the curtains and their fringe - the
tints of crimson and gold - appear everywhere in profusion, and determine
the _character _of the room. The carpet - of Saxony material - is quite
half an inch thick, and is of the same crimson ground, relieved simply by
the appearance of a gold cord (like that festooning the curtains) slightly
relieved above the surface of the _ground, _and thrown upon it in such a
manner as to form a succession of short irregular curves - one
occasionally overlaying the other. The walls are prepared with a glossy
paper of a silver gray tint, spotted with small Arabesque devices of a
fainter hue of the prevalent crimson. Many paintings relieve the expanse
of paper. These are chiefly landscapes of an imaginative cast-such as the
fairy grottoes of Stanfield, or the lake of the Dismal Swamp of Chapman.
There are, nevertheless, three or four female heads, of an ethereal
beauty-portraits in the manner of Sully. The tone of each picture is warm,
but dark. There are no "brilliant effects." _Repose _speaks in all. Not
one is of small size. Diminutive paintings give that _spotty _look to a
room, which is the blemish of so many a fine work of Art overtouched. The
frames are broad but not deep, and richly carved, without being _dulled